The Incarnate series began with variations and elaborations of a basic undulatory form, much like musical variations on a theme. This base form is a proxy ( or idealised) human body, and the variations aim to catalogue possibilities for the human body considered as an object, both in terms of its constituent materials and their associated properties (an idea that relates to the medieval system of ‘Humours’), but also in the body’s role as a symbol or prop in fetish, myth and propaganda.