2018. Fibreglass and acrylic paint, with integrated video guidance system, battery powered PA and looped laughter track. 65 x 36 x 36 cm.
Since my time in Pietrasanta, I have been fascinated by representing hair in sculpture. It’s about finding the appropriate system of abstraction, and the hand learning the gestures.
Eidola
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
Eidola
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
Eidola
2009. Polyurethane and stainless steel. 600 x 400 x 120 cm.
Sculpture commission for City Offices, London. A shimmering cloud of watery ripples is created from fifty custom-made, giant, fresnel lenses, which multiply and magnify the view of the street, transforming it into a piece of kaleidoscopic cinema.
1st Prize: BCA Innovations in Concrete & 2nd Prize, International Concrete Design Competition. A paving slab whose appearance and texture change in response to pedestrian traffic, creating a visual and tactile record that adds functionality and character. Every pedestrian becomes a participant, inscribing the history of that space’s use, and creating a form of intuitively understood signage.
Last Laugh – Robert
Eidola
Eidola
Eidola
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