Visually, the Memento Mori series pulls from autobiography, anthropology, LA lowbrow, early Sienese painting. Scales slip, perspectives warp, time folds in on itself. The process is just as hybrid, as drawings become rough models; wax and clay figures are built, scanned, broken down, rebuilt; digital simulations generate smoke, dust, breath. Each diorama takes about 6 to 8 months to develop. The final images are printed using now-obsolete LightJet technology on Duratrans film, a final flowering of analogue tangled up with digital construction. This photomontage shows just a few of the elements of the process.